Spotlight on Jacque Roate
Name: Jacqueline Roate
Age: not 30
School attended: Grand View University
Degree: Triple BA Fine Arts, Graphic Arts, Creative and Performing Arts
(emphasis in Set and Costume Design)
Occupation: Painter at Sticks
Statement about your work: Painting and drawing combined on canvas and paper. My
work is often based on history or classical literature, focusing on the Greeks.
Influences: Neo-Classicism, Art Nuevo, Pin up Art, Comic Books/Graphic Novels
Fun Fact: I use a lot of spray fixative without adequate ventilation. While
painting, I often have a horror movie playing in the background.
Misc: Married to Illustrator Michael Roate, no one ever called him Michael until
we started dating. It was always Mike; yes that’s right I started it all.
Favorite Quote: “Moderation is a fatal thing; nothing exceeds like excess”
Oscar Wilde. “I DRANK WHAT?” Socrates. “Read my lips, no more new taxes”
bastards.
How did you get started in the arts?
I won free classes at the art center when I was five and took my first figure
drawing class at six.
How did you find your style?
It found me. I loved drawing and painting so I try to make both visible in my
work.
Has it changed since you started?
I use to draw pop icons, specifically X-Files and Star Trek. Now, post college,
I focus on literature. I incorporate more line work.
What is your process when working? Can you run us through a typical painting?
First, I read up on my idea. For example, I read literature about my subjects
and look at how other artists represented the subject. I try to make my approach
different and try to learn from their approach. Then, I draw some figures and or
objects that may be relevant to the character or story. Then, I do some small
preliminaries to experiment with color, form, line, space, and composition. If I
like one or more of the ideas, I attempt it on a larger scale. I put down a base
coat, usually something that complements the main color or a medium tone that is
close to the main color. Then, I draw out the composition with pencil; I
fine-tune it with watercolor pencil. The rest is up to the composition and how
far I’m willing to take it.
How do you market/promote your work?
I don’t really. I wonder if that’s my problem?
Do you have a gallery? Why/why not?
Not anymore. With this economy I think I’m going to just sit back and focus on
being an artist and not a salesman.
What was one of your favorite paintings?
Zeus’s Daughters at the DSM Art Center
What do you enjoy most about your work?
Finishing it. Learning about the subject. The perfect little area of applied
paint.
Describe your work setting.
Smelly, but well kept. It’s our second bedroom. I have an easel, a drawing
table, and a drawing horse. My computer on a mammoth desk in the corner and it
takes more space than I would like.
Do you have side projects you work on?
I work mostly on murals, and some graphics. I would like to do theatrical design
on the side, but I want to get paid for it.
How do you maintain balance in your life between work and play?
Weekdays, I try to spend at least an hour in the studio each day.
I reserve most of Saturday and Sunday for studio time. So weeks it’s more, to
often it’s less. Family is always more important than work.
Do you ever have creative slumps? What do you do then?
I never have creative slumps just execution slumps. I move on to another piece.
What do you do for fun/when you’re not working?
Read non-fiction, watch Nova, movies, watch Star Trek, shower, drink awesome
imported beer, play Wii tennis, pet my cats (MeuMeu, CC, and Jaws), talk
politics, and fix up my town home.
What has been inspiring you lately?
“Silent Hill: Among the Damned” Graphic Novel
Any advice for others who are pursuing creative goals?
Find a support group like Paintpushers

